Council · 787 · 24 September

Second Council of Nicaea

Nicaea II settled the first great iconoclast crisis by defending the veneration of holy images. The issue was not whether wood and paint should be worshipped; the council distinguished veneration from the worship due to God alone. Its deeper argument was incarnational: because the Word truly became visible flesh, images can bear witness to him. This became the last council accepted as ecumenical by both East and West.

Miniature from the Menologion of Basil depicting the restoration of icons.
Nicaea II defended holy images on incarnational grounds. via Wikimedia Commons · Public domain

At a glance

Type
Council
Date remembered
24 September, AD 787
What kind of event is this?
A council or settlement that changed the church's public teaching, discipline, or historical direction.
Key line
The honor shown to the image passes to the prototype.

Highlights

  • Icons were restored.
  • Veneration was distinguished from worship.
  • John of Damascus's arguments were vindicated.
  • It became the last shared ecumenical council of East and West.

How it happened

What happened

The council restored the veneration of icons after decades of iconoclast policy in the Byzantine empire.

The argument

Are icons idolatry, or can images of Christ and the saints be venerated without worshipping matter?

What changed

The council distinguished veneration from worship and defended images on incarnational grounds.

Why it matters

If God truly became visible in Christ, the material world can bear witness to God without becoming an idol.

Aftermath

Iconoclasm returned for a time, but Nicaea II became the decisive council for icon veneration.

People in the story

Recommended reading

Primary texts from figures tied to this event.

John of Damascus

An Exact Exposition of the Orthodox Faith · 743

Third book of the Fount of Knowledge — the great systematic theology of the Christian East.

John of Damascus

Three Treatises on the Divine Images · 730

Defense of icons during iconoclasm — set Eastern Christian aesthetics for a millennium.